In the wake of Sandy, the storm, I'm tired after collecting two parents in their 90s from a cold, dark townhouse in NJ and relocating them to the warmth of our guest bedroom for the duration. I have taken to referring to my dad as the "ice pop," since he's yet to warm up after a number of days. It's no trouble; it's just different, with other people's "things" in places usually reserved for mine....lol!
Where does this leave my beadwork? It's in a bit of a creative hiatus, particularly following a somewhat disappointing show in Morristown, NJ. The show was high-end; the quality of the goods, superlative. The number of fellow (or more accurately, sister) beaders was wonderful! We all work in the same medium, but the end results are so very different! Kathy King, who I adore, works with her beads upended and the thread showing gloriously (and in a very orderly way) on the tops of her "bead quilled" work. Sheila Fernekis has the most creative color sense of almost everyone I know. Wendy Lin's work runs in two directions: subtle like her lariats, or a riot of textures in her bracelets. Robin's work has ethnic overtones with loomed bracelets galore. My work is somewhere in the midst of all of this, and, again, wholly different. See, for example one of my new pieces in the picture.
Unfortunately, despite incredible artists and a broad variety of types of hand crafted goods, from upscale gold and silver jewelry, to outrageous floorcloths, to sculpture, enamel work, porcelain and some of the BEST clothing I've ever seen at this show or any other outside the ACC show, the gate was down. Those who came, walked with hands in pockets. Most artists didn't clear costs....your's truly among them. What got to me were the people who took a great deal of my time and booth space trying on a series of items, having me size them to meet their needs (all written down to make the alterations relatively easy, once they bought the goods), and then WALKING away with nothing. I can only hope they contact me via e-mail or my website. SIGH....
BUT, the camaraderie was wonderful; the time spent with other artists was WELL worth the trip itself. Perhaps we can find a creative outlet to share down the road.
In the meantime, I'm completing some projects that have been in the works, repairing bracelets shredded by zealous (or perhaps overly ambitious) efforts to fit small circles around overly large wrists. The result was rather like the square peg into round hole syndrome -- because something had to give, it often was the jewelry. I've had a few commissions of late. Some larger, some smaller. One with potential to help explode my business! I should know around Christmas if that happens. And I will share a picture of what it's all about...WHEN I can....
Plans for the spring and beyond are shaping up.
1. While we await acceptance, a colleague and I expect to be be teaching "Nerfertiti's Necklace" at Artifest in Ohio. It's a two-part project. My colleague, Roberta Altschuler, will do the necklace part; I'm teaching the pendant and closure. Two days, two teachers....It should be a GREAT opportunity. More as the process evolves!
2. Waiting list for ACC/Baltimore and ACC/Atlanta. I remain hopeful for both. Keep your fingers crossed for me!!!
3. NO Sugarloaf this Spring; family events are conspiring to make it virtually impossible. And they are VERY exciting family events, I must say. (Pictures to come when they occur!!!)
4. Applications in for East Coast shows for Spring; applications in the works for many other shows. Stay tuned for updates to my calendar.
In the meantime, I'll be posting new pieces to the website and working to get a shopping cart up live. If I'm not up to beading per se, I can always engage in the business of the beading business, right??? The holidaze are coming; time to stock up on my beading designs. It's not just jewelry, it's wearable art!
This blog is where Thea Fine, Beading Design meets Fine WordCrafters (my writing/editing activities). I hope you find it a happy collision of my two artful worlds.